MADONNA) // (CHILD

MADONNA) // (CHILD
So Strong; yet so calm: Mary's Choice.

Thursday, June 9, 2011

Les Paul

Bio:

"Paul's interest in music began when he took up the harmonica at age eight, inspired by a Waukesha ditchdigger. Paul's only formal training consisted of a few unsuccessful piano lessons as a child -- and although he later took up the piano again professionally, exposure to a few Art Tatum records put an end to that."


By 1937, Paul had formed a trio, and the following year, he moved to New York and landed a featured spot with Fred Waring's Pennsylvanians, which gave Les nationwide exposure through its broadcasts. That job ended in 1941 shortly after he was nearly electrocuted in an accident during a jam session in his Queens basement. After a long recovery period and more radio jobs, Paul moved to Hollywood in 1943, where he formed a new trio that made several V-Discs and transcriptions for MacGregor (some available on Laserlight). As a last-minute substitute for Oscar Moore, Paul played in the inaugural Jazz at the Philharmonic concert in Los Angeles on July 2, 1944; his witty chase sequence with Nat Cole on "Blues" and fleet work elsewhere (now on Verve's Jazz at the Philharmonic: The First Concert) are the most indelible reminders of his prowess as a jazzman. Later that year, Paul hooked up with Bing Crosby, who featured the Trio on his radio show, sponsored Les' recording experiments, and recorded six sides with him, including a 1945 number one hit, "It's Been a Long, Long Time." On his own, Paul also made several records with his Trio for Decca from 1944 to 1947, including jazz, country and Hawaiian sides, and backed singers like Dick Haymes, Helen Forrest and the Andrews Sisters.

More significantly, Paul began a regular series of Monday night appearances at New York's Fat Tuesday's club in 1984 (from 1996, Les held court at the Iridium club across from Lincoln Center), attended by visiting celebrities and fans for whom he became an icon in the '80s. Arthritis has slowed Les' playing down in recent years, and his repertoire is largely unchanged from the '30s and '40s. But at any given gig, one can still learn a lot from the Wizard of Waukesha. ~ Richard S. Ginell, All Music Guide

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